House Keys Not Handcuffs: Homeless Organizing, Art and Politics in San Francisco and Beyond.
Written by Paul Boden with additional essays by friends and longtime allies, Art Hazelwood and Bob Prentice. It includes 67 images created by printmakers, painters, muralists, cartoonists and photographers giving a history of the art made in the struggle.
House Keys Not Handcuffs is a reflection on over 30 years of homeless organizing in San Francisco. It is an attempt to sort out what went well and what did not as a community begins to organize in order to hold public and private institutions accountable. Its purpose is not only to distill the lessons we have learned, but to encourage others to document and reflect on their own experiences in the hope that we can collectively contribute to a stronger, more broadly-based movement. Artwork has always been a vital part of this organizing.
The book draws from the insights of Paul Boden, whose own experiences on the street as an activist, and as a co-founder of the Coalition on Homelessness and later, the Western Regional Advocacy Project (WRAP), give him a unique and wide perspective. It is a voice for people who have no power or privilege except for their capacity to organize and demand social justice.
The life of graphic novel artist Lynd Ward (1905-1985) is told by author and scholar David A. Beronä in a series of vignettes that are accompanied by woodcut prints illustrating the story. Seven contemporary artists provide the original woodcut prints. The illustrators include Olivier Deprez, Jules Remedios Faye, Drew Grasso, Art Hazelwood, Frances Jetter, Billy Simms, Kurt Brian Webb.
The vignettes include the childhood of the artist, his marriage, his graphic woodcut novels, and his later illustrated children's books. Graphic novel artist Eric Drooker provides an introduction to both Lynd Ward as well as the author.
64 pages, cover color, interior b/w perfect bound, 8.5 x 8.5 inches
classic like 1984 or Brave New World.”
—Jim Smith, The Venice Beachhead
“A great dystopian read that takes you on a journey around the
streets and scenic marvels of San Francisco. More than an Orwellian
dystopia, American Daydream draws on the revelations of Edward Snowden,
imagining where the National Security might be leading us in the future.
Added to this mélange is a passionate romance between the two main
characters, the utopian counter point of the story.”
—Roger Burbach, author of Fire in the Americas
“Margot Pepper’s literary incursion into Science Fiction is just like
her—daring, brave and fully imagined. She is a story goddess living in
and out of verses, whose political stance is vital and necessary.”
—Luis J. Rodriguez, author of Always Running and It Calls You Back
Edited by Ben Clarke and Clifton Ross
"Voice of Fire presents the critical communiqués and perspectives of the first guerrilla movement to emerge in Latin America in the post-Cold War era. This book puts us inside the minds of Indigenous peoples and Mexicans who are raising fundamental questions about the current political and social order in North America. Subcomandante Marcos' commentaries are written with a passion and commitment reminiscent of Eduardo Galeano's Open Veins of Latin America."
Author of Fire in the Americas
"The Zapatistas bring much needed fresh ideas to the world's progressive and indigenous rights movements. Their civil society strategy, which rejects both vanguardism and narrow ethnic nationalism, appears to have been remarkably successful in a short period of time. This collection of their own writings is a must read for anyone concerned with Mexico in particular and progressive movements in general."
Peter Rossett, Ph.D.
Executive Director, Institute for Food and Development Policy
"The spectacular January first EZLN uprising was a cry 500 years in the making. It has unleashed a torrent of discontent that will mark the unraveling of the ruling party's stranglehold on Mexican politics for the past six decades. The future face of Mexico is as unknown as the faces behind the rebel's masks, but the chiseled features of Mexico's Indians will no longer be merely reminders of the past. Thanks to the EZLN, they will now shape Mexico's future. This collection of EZLN writings is key to understanding what that future holds."
Co-Director, Global Exchange
"If the lie returns to the mouth of the powerful our voice of fire will speak again..."
Communiqué of the EZLN, February 16,1994
Introduction by Ben Clarke : An overview of the Zapatista philosophy and origins.
A portion of the proceeds from the sales of the books will be donated to homeless advocacy groups. Donors can direct the donation using the comment box above. (enter: WRAP, COH or Spirit)
The book is based on the traveling exhibition of the same name.The exhibition began at the California Historical Society in San Francisco in February of 2009. California Exhibition Resources Alliance (CERA) is the touring company. The next exhibition date for the tour will be listed below if/when scheduled.
The exhibition images can be seen online at Western Regional Advocacy Project.
Reviews of 'Hobos':
The Never Ending Tale: Images of Despair and Hope from the Great Depression to the Great Recession
by: Paul Von Blum on November 29th, 2011
Hobos to Street People: Artists Uncover Hidden History of Poverty
by: Margot Pepper, on September 1, 2011
Homelessness in Art from the New Deal to the Present
by: DeWitt Cheng on September 1, 2011
Freedom Voices is pleased to anounce the release of Sugaree Rising.
"Sugaree Rising is a remarkable first novel, intelligent, sensitive, thoughtful, perceptive. It is the story of a small, tightly knit, interrelated group of South Carolina Blacks who established their own community after the Civil War. They bring with them the traditional beliefs of their slave ancestors, the old ways and the old gods. In the South Carolina of the 1930 their descendants still honor the traditions of their African forefathers, living their days in essentially parallel universes, the everyday and the spiritual, both real, both shifting back and forth like a kaleidoscope. It is an extraordianarily exhilarating way of perceiving the world."
— Shirley Ann Grau
Winner of the 1965 Pulitzer Prize For Fiction
Selected Everson Poems and Five Interviews by Clifton Ross
In this collection of interviews with one of the central poets of the San Francisco Literary Renaissance (which preceded the Beat movement) William Everson/Brother Antoninus ponders the mystical dimensions of poetry. The interviews span the final fifteen years of his life and contain his final thoughts on the prophetic, the shamanistic and the aesthetic dimensions of his craft, as well as his own life, characterized by the Portuguese proverb that “God writes straight with crooked lines.” The interviews, accompanied by selected poems, were conducted, edited and introduced by Clifton Ross and were first published two years after the poets death by Stride Publications, UK, republished by Freedom Voices to honor the centennial of the poet’s birth. $14.95
with an introduction by Jack Hirschman
“Clif Ross is among the most highly respected activists of the Left
Coast… His own poetry, a generation of works, is here warmly presented
in the context of a maturation of tone and voice that is quietly
remarkable--and very much like himself. Ross is a fusion of a lyric
realism and the power of metaphor. His voice isn't of the plosive kind.
He writes an organic lyric, resisting any attempt on the part of the
"Poet" in himself to overcome himself by a kind of verbal oblivion. His
poems are expressions of his determination that friendship triumphs
through beautiful communications that make one feel solidarity without
feeling one's being indoctrinated or recruited.”
Poet Laureate of San Francisco
from the introduction to the English edition.
Translations by Margarita Millar
Canto de las Moscas (Song of the Flies), by the late Colombian poet María Mercedes Carranza, was published for the first time in 1997, following a decade marked by extremely high levels of violence in Colombia. At this point the country had already endured nearly half a century of armed struggle between government and rebel groups, and had more recently experienced the emergence of paramilitary forces and warring drug lords.
Carranza wrote these twenty-four poems, each bearing the name of a town or city that had been the site of large-scale violence, as a sort of chronicle and commemoration of the tragedies the people endured. The titles reflect a contradiction characteristic of Colombian reality: the beautifully-musical and whimsical place-names stand in cruel contrast to the events that marked them as massacre sites. Written in a form similar to Japanese haiku but not adhering to its strict line-and-syllable counts, the poems are short and spare.
This collection of poetry and prose tells the story of one man's liberation. Reading it, we join him as he spirals outward from the sound of the word, to the sound of the street, from a story of everyday life, to the inner magic of creative transcendence. His love of language and of people vibrates almost musically on each page. Stuart finds himself always out of sync. Offbeat. . . articulating hope in a place where sleeping on the streets is as common as being housed.
Perfect bound paperback $9.95